Andrew Kaufman (1949 - 1984) was an American entertainer, actor, writer, performance artist and professional wrestler. A charismatic persona poured out of a bucket.

From the PBS series "Soundstage" comes this special broadcast of Andy Kaufman's satirical talk show, which includes "The Has-Been Corner," a spoof segment with a washed-up celebrity, and a routine featuring his marionette alter ego, Tony Clifton. In other highlights, Kaufman and ex-girlfriend Elayne Boosler publicly expose their turbulent relationship, and one of Kaufman's guests is unmasked as a charlatan.

The majority of the footage in The Real Andy Kaufman consists of a 1979 performance the actor/comedian/performance artist performed in the Catskills. In addition to some of his classic routines, the film offers interviews with friends and colleagues.

The big mystery about Andy Kaufman's work is in trying to figure out what's serious, what's an act, why he is doing what he's doing, and whether he even knows the differences himself. His performances are among those rare examples where you feel extremely uncomfortable watching them, but at the same time you can't pull yourself away because it's hysterical in a twisted and bizarre sort of way.

The Andy Kaufman Project explores the possibility that avant-garde performance artist Andy Kaufman may have faked his death.

A rare window into the enigmatic mind of comedy legend Andy Kaufman through his never-before-heard audio diary recordings. As marionette puppets bring his unfinished book to life, family and friends unveil the real person behind the provocative public persona in this captivating documentary.

Andy Kaufman's legendary sold-out Carnegie Hall performance, featuring all of Kaufman's classic routines, including Foreign Man, Elvis, conga drums, plus Andy wrestling women and even taking on a real male wrestler! Also appearing is a menagerie of Kaufman's collection of human oddities, including the infamous Tony Clifton, The Love Family (a sub-Partridge Family singing group who do a bang-up version of "The Age of Aquarius" complete with synchronized dance movements), Grant Bowman the "Happy New Year Man" (straight from Times Square, where Andy found him), "cowgirl" Eleanor Cody Gould and an uncredited, surprise big name guest as Andy’s grandmother. Bob Zmuda appears as Andy's referee, and at the end of the show, Andy takes the entire audience out for milk and cookies.

Comedian Kevin Yee makes a short film about making a short film.

Rock documentary with excellent production values, 29 July 2006 Author: Chris_Docker from Scotland, United Kingdom The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

The untold story of one of rock 'n' roll's wildest and most influential bands, The Sonics. For the first time ever, all five original members of the band tell the story of how it all went down, beginning to end. Explore how a relatively unknown band from the Pacific Northwest became a worldwide phenomenon 50-years after their heyday, and in doing so, shaped music for decades to come.